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Frank Bowling - Whitney 1971

Exhibition guide relating to an exhibition, 1971
Published by: Whitney Museum of American Art
Year published: 1971
Unpaginated.

image of Frank Bowling - Whitney 1971

Folded sheet of card/monochrome printed text

Title: Frank Bowling

Inside cover contains the text: Frank Bowling interviewed by Robert Doty, New York, 14 September 1971. Back cover contains Frank Bowling’s CV / Photograph / Catalogue listing. Photographs by Geoffrey Clements and Robert Doty. 4 November - 6 December 1971. Whitney Museum of American Art, 945 Madison Avenue, New York, New York 10021.

(Bowling’s year of birth was 1936, though this catalogue, for Bowling’s 1971 Whitney Museum of American Art notes his year of birth as 1935).

In a feature in Art International The Art Spectrum, Volume XIX/5, May 15 1975, about Frank Bowling, Jeanne Siegel opened the text with “After Frank Bowling’s exhibition at the Whitney Museum at the end of 1971 he turned to abstraction. The Whitney show consisted of large scale, more or less monochromatic (or so they appeared) stained paintings which contained stencilled images of maps. Since then his paintings have been built on color alone. If the Whitney paintings suggested a nebulous view of the world the newer ones evoke a color atmosphere that has a more felt relationship to nature.”

This Whitney exhibition was discussed in a section of Kellie Jones, ‘It’s Not Enough to Say “Black is Beautiful” ‘: Abstraction at the Whitney, 1969-1974, in Discrepant Abstraction, inIVA and MIT Press, 2006. The section in question was Frank Bowling: 4 November - 6 December 1971.

Related people

»  Frank Bowling OBE, RA

Born, 1935 - 1937 (probably 1936) in British Guiana (now Guyana) Caribbean/S. America

Related exhibitions

Related venues

»  Whitney Museum of American Art

New York, United States of America

Frank Bowling - Whitney

Solo show at Whitney Museum of American Art. 1971
Date: 4 November, 1971 until 6 December, 1971
Organiser: Whitney Museum of American Art

Hugely significant New York exhibition by Frank Bowling, accompanied by a small catalogue, the inside cover of which contained the text: Frank Bowling interviewed by Robert Doty, New York, 14 September 1971. Back cover contains Frank Bowling’s CV / Photograph / Catalogue listing. Photographs by Geoffrey Clements and Robert Doty. 4 November - 6 December 1971. Whitney Museum of American Art, 945 Madison Avenue, New York, New York 10021.

(Bowling’s year of birth was 1936, though this catalogue, for Bowling’s 1971 Whitney Museum of American Art notes his year of birth as 1935).

In a feature in Art International The Art Spectrum, Volume XIX/5, May 15 1975, about Frank Bowling, Jeanne Siegel opened the text with a summarty of the exhibition, “After Frank Bowling’s exhibition at the Whitney Museum at the end of 1971 he turned to abstraction. The Whitney show consisted of large scale, more or less monochromatic (or so they appeared) stained paintings which contained stencilled images of maps.”

This Whitney exhibition was discussed in a section of Kellie Jones, ‘It’s Not Enough to Say “Black is Beautiful” ‘: Abstraction at the Whitney, 1969-1974, in Discrepant Abstraction, inIVA and MIT Press, 2006. The section in question was Frank Bowling: 4 November - 6 December 1971.

Related items

click to show details of Discrepant Abstraction

»  Discrepant Abstraction

Book relating to a publication, 2006

click to show details of Frank Bowling - Whitney 1971

»  Frank Bowling - Whitney 1971

Exhibition guide relating to an exhibition, 1971

click to show details of Frank Bowling’s Abstract Paintings: A Critique and Interview

»  Frank Bowling’s Abstract Paintings: A Critique and Interview

Article relating to an individual, 1975

People in this exhibition

»  Frank Bowling OBE, RA

Born, 1935 - 1937 (probably 1936) in British Guiana (now Guyana) Caribbean/S. America

Exhibition venues

»  Whitney Museum of American Art

New York, United States of America

Whitney Museum of American Art

New York, United States of America
Official website: Whitney Museum of American Art

945 Madison Avenue at 75th Street
New York, NY 10021
General Information: (212) 570-3600

From the website: “The Whitney Museum houses one of the world’s foremost collections of twentieth-century American art. The Permanent Collection of some 12,000 works encompasses paintings, sculptures, multimedia installations, drawings, prints, and photographs — and is still growing. The Museum was founded in 1931 with a core group of 700 art objects, many of them from the personal collection of founder Gertrude Vanderbilt Whitney; others were purchased by Mrs. Whitney at the time of the opening to provide a more thorough overview of American art in the early decades of the century. Mrs. Whitney favored the art of the revolutionary artists derisively called the Ashcan School, among them John Sloan, George Luks, and Everett Shinn, as well as realists such as Edward Hopper and American Scene painters John Steuart Curry and Thomas Hart Benton. Her initial gift, however, also comprised many important works by early modernists — Stuart Davis, Charles Demuth, Charles Sheeler, Max Weber, and others. Virtually all the works collected by the Museum for the next twenty years came through the generosity of Mrs. Whitney.”

“Although the Whitney’s acquisition budget was always rather modest, the Museum made the most of its resources by purchasing the work of living artists, particularly those who were young and not well known. It has been a long-standing tradition of the Whitney to purchase works from the Museum’s Annual and Biennial exhibitions, which began in 1932 as a showcase for recent American art. A number of the Whitney’s masterpieces came from these exhibitions, including works by Arshile Gorky, Stuart Davis, Reginald Marsh, Philip Guston, and Jasper Johns. Even today, the Museum continues to enrich its Permanent Collection via the Biennial; among the recent acquisitions are works by Mike Kelley, Matthew Barney, Louise Bourgeois, Zoe Leonard, Matthew Ritchie, and Shahzia Sikander.”

Discrepant Abstraction discussed Black artists’ exhibitions at the Whitney, in Kellie Jones, ‘It’s Not Enough to Say “Black is Beautiful” ‘: Abstraction at the Whitney, 1969-1974, in Discrepant Abstraction, inIVA and MIT Press, 2006. 

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click to show details of Contemporary Black Artists in America

»  Contemporary Black Artists in America

Catalogue relating to an exhibition, 1971

click to show details of Discrepant Abstraction

»  Discrepant Abstraction

Book relating to a publication, 2006

click to show details of Frank Bowling - Whitney 1971

»  Frank Bowling - Whitney 1971

Exhibition guide relating to an exhibition, 1971

click to show details of Frank Bowling’s Abstract Paintings: A Critique and Interview

»  Frank Bowling’s Abstract Paintings: A Critique and Interview

Article relating to an individual, 1975

Exhibitions at this venue

People who have appeared at this venue + view all 58

»  Frank Bowling OBE, RA

Born, 1935 - 1937 (probably 1936) in British Guiana (now Guyana) Caribbean/S. America

»  Henry Rollins

Born, 1937

»  Alma Thomas

Born, 1886 - 1896 (probably 1891). Died, 1978

»  Charles White

Born, 1918. Died, 1979

»  Hartwell Yeargans

Born, 1918 in Kansas City, Missouri